Understanding the Importance of Corporate Identity

Because of the countless numbers of businesses these days, competitions among businessmen are definitely high. So in order for them to make a name in the world of business, they have to establish a unique and remarkable corporate identity. Corporate identity is considered to be as the pillar of every business. It serves as the face of the company.

In line with such importance, a need to create or design a corporate identity should be made with a great understanding that it will represent what a certain company is all about. Corporate identity is made in a form of a logo. Each and every one of us knows what a logo is. All of the popular and well established companies have it.

So what should a logo contain? It should have an appealing design for the market. Moreover, it should strongly represent the product or company at its best. Just like those logos that could be found in popular brands of clothing, foods and among others. Visiting this link would give some idea of how do logos of Adio Footwear look like. By having some time to pay a visit on sites like this, any businessmen that would like to create and design a corporate identity would have a great understanding of its importance.

The Value of Printing Design in Advertisement and Promotion

Printing is a process of making copies of word content and images, usually using ink on paper with a printing press. It is commonly done with major or comprehensive industrial procedure and very important in publishing and transaction printing.

This procedure had long been used in China in 220 AD using woodblock printing that has also been adopted by Egyptians in the 4th century. As technology continues to serve its purpose in sending forth innovations through times, printing industries likewise evolve into something advanced when it comes to tools, procedures and designs. Technology indeed made a long and remarkable way in supporting the printing industries from the ancient woodblock printing through highly innovative digital press printing.

Printing design as the latest trend in printing today is considered as one of the end results of traditional and modern printing. With the aid of the latest software, printing design now comes easy and in the most convenient way. But design is not about which buttons to press, but tells about creating mood, conveys message and making profit. Like for instance an ad for stevia; anyone should have to get more info about the product as the best alternative of sugar, think of concept to support its promotion then have it printed according to the design that will make it convincing and be patronized by consumers.

Graphic Artist: A Tale of Both Worlds

Have you ever wondered how it feels like to be the cool guy who does our favorite online game character? Does the thought of being a graphic artist, apart from thinking how to avoid foreclosure, cross your mind? If you think that being a graphic artist is all about designing websites and tarpaulins, then you are in for a great surprise. There is more to it than what you know as the demand for graphic artist increases.

Graphic designers and graphic artist are oftentimes used interchangeably. Graphic designers convey messages through digital artworks. They are responsible for anything that can be viewed or printed on-screen.

Graphic Designers

Graphic designers deliver messages in digital form. They are the people behind the content of brochures, newspapers, leaflets and magazine to name some. If you have the eye for Web designing, color, animation and works well in computers, then you can have a career in graphic designing. You would be responsible for layouts. This does not mean that your illustration and art skills are futile in this line of work. However, you can be a great graphic designer despite being a lousy illustrator. Meanwhile, this is just the other side of the coin when we talk about graphic artist job.

Graphic Illustrator

On the other hand, an illustrator uses traditional, non-traditional and modern media to convey thoughts or words into an image. In short, an illustrator interprets words or messages and that image should convey the thoughts of the message. This image may highlight the message or assist the message to be understood by the audience.

Pursuing a career in graphic designing does not lie on your ability to do sketches as your technical skills are challenged in this job. To become a graphic artist, you must know different photo-editing software and learn animation. Graphic artist are more versatile compared to graphic designers. This is saying that graphic artist can be proficient in graphic illustrating and design whereas designers focus their skills on visual communication.

How to Look for a Proficient Graphic Design Provider

Owning an online business or site is indeed very challenging. You have to keep abreast of the competition. Mind you, this is one tough and competitive world. Joining the bandwagon is not wrong but, you must make yourself ready to what’s coming and how you can step up your game to be on the lead. With this, you must come up with a site that will not only provide the need of the people but also can attract more and more visitors. Therefore, you must opt for a graphic design service provider to do this for you.

There are so many web graphic designers or providers that can hand you down such excellent service. But, only a few are true to their words. Just like finding for the best home security companies, the process is not easy. Whether you want to employ a graphic designer or look for somebody who can work with you on a contract basis, you must make the right choice.

As you look for the best graphic design provider, experience is a must to assess. You will know that one is veteran on this field based on their previous works. Their length of experience speaks on what they can provide you, not to mention their level of proficiency. Browsing over their portfolio is also a good way to check how good or bad their works are. You can tell how proficient, skilled and talented they are by looking at the quality of their works. It also pays to assess their sense of marketing. If one is well inclined on how advertising should go, then your business or site will surely prosper.

Graphic designing is an essential aspect of any marketing campaign. From coming up with a pleasing site to making mailings, flyers and ads on print media, it goes without much stressing that it plays a vital role in your business success.

Sites that Offer Graphic Design Courses Online

The demand for graphic designers these days is increasing with respect to the growing demands for different software applications and designs. If you want to pursue a course in graphic design and cannot enroll for a moment because of the credit repair that hinders you to pay school related fees, then it is best to turn to the web as there are many graphic design tutorials available minus the fee. Check them out below:

  • About.com

This site offers free graphic design tutorials which are basic. It teaches you the basics in graphic designs through demonstrating the elements and fundamentals of signing.

  • Planet Photoshop

This site provides tutorials and videos. This guides you toward creating visual effects.

  • W3schools.com

This site offers to turn dull and boring lessons to interesting ones, W3schools.com teaches the basics of HTML. Students also learn the ideas on blocks, element and links.

  • Youthedesigner.com

Youthesigner.com highlights different lessons for free. Their Adobe InDesign Tutorials involve 11 lessons covering type, layout and graphics.

In addition to these, if you do not have time yet wanted to pursue a graphic designing course, a lot of universities offer online courses where you get certificates and diploma.

Eurovision 2013 Results

Shortly we are going to know Eurovision 2013 results. The way the results are counted?

A qualification round, known as the semi – final, was introduced for the Eurovision 2004 Contest.

The ten most highly-placed non-Big Four nations in the grand final were assured a place in these year’s grand final, with no need to participate in next year’s semi. The remaining nations – which had not immediately certified for the grand final – had to enter the semi-final.

In the 50th annual meeting of the EBU in September 2007, it was determined that in the 2008 Competition onwards there will be held two semi-finals. From 2008 onwards, the scoreboard position of any prior years has not been pertinent, and – save for the automatic qualifiers – all participating states have had to take part in the semi-finals, regardless of their previous year’s scoreboard position. The only nations which automatically be eligible for the grand final are the Big Five, and the host nation : France, Germany, Italy, Spain and great Britain, who continue to enjoy their protected position.

The voting systems found in the Eurovision Song Contest have changed throughout the years. The modern method has been in place since 1975, and it is a positional voting system. Countries grant a set of points from 1 to 8, then 10 and lastly 12 to other tracks in the contest – using the favorite tune being gave 12 points.

Who will win Eurovision 2013? Follow eurovisionmania.net.

Mastering the Art of Multimedia Designing

The state of graphics in the online arena has come to the point where graphic artists are demanded to be versatile and fluent in both multimedia and graphic aspect. Consequently, the demand for graphic artists constantly increases due to the influence of different online activities. Hence, it is important to have a sufficient background in multimedia designs to be more bankable and flexible. But, what is a multimedia design? Why does it differ from graphic design?

Multimedia design is a subset of graphic designs. Designers under this discipline create interactive and animated images for the use of mobile technologies, commercials, motion pictures and most especially video games. The growing industry for 3D animated movies make it profitable for multimedia designers as there services are needed for special effects among others.

Noticeably, the software and tools used by multimedia designers and graphic designers vary accordingly. Multimedia designers rely on Flash and Dreamweaver, to mention a few, whereas graphic designers show great commands in InDesign, Photoshop and Illustrator.

Multimedia designs are dynamic and moving while graphic designs are static and printed, like a very demotivational poster. To have both skills in multimedia and graphic designing will definitely lead one to greener pasture and lucrative career as the demands for these jobs are growing.

Choosing the Ideal Graphic Design Tutorials

The availability of different image editing tools today has instantly made everyone a graphic designer. With just a few twitch and tweaks along with the ideal software, one can easily turn an ordinary image to one full of mysteries and stories.

If you are interested to be one of those awesome and cool guys, then it helps to watch different graphic design tutorials to help you understand even the basic of image editing tools. You can even turn this into a business whether you plan to design logos for PPI Claims Help Line or even greater business than that. If you are a graphic designer wannabee, then it is best to look up to helpful graphic tutorials online. Below are just few of those amazing sites you can learn from.

Ideabook.com – This grew out of a book written by Chuck Green who has published different desktop publishing books and different resources. His book, Before & After, provides helpful insights on how to create brochures, ads, and others.

CreativePro.com – This offers a diverse set of tutorials and reviews different content ideas. Though this is not graphic design-centered, its how to’s and tutorials are helpful for those who are just starting.

Selecting ideal graphic design tutorials is crucial towards paving your career as a graphic designer. Thus, you should make your foundation strong and solid.

How A Car is Designed and Manufactured

The development of the appearance of a car is car designing.  This is done by a large team from many disciplines such as automotive engineering. Car designing is primarily concerned with developing the visual appearance or aesthetics of the vehicle.

Modern vehicles have sophisticated designs and you cannot afford any accident or unfortunate events to damage your car. And you surely don’t want someone stealing your car, or having it lost. Getting a car is a huge investment, and so you must assure the safety of your car and possibly insure it with the right coverage and rates. You can compare auto insurance rates to be the most secured.

The three main aspects of designing are the exterior design, interior design, and color and trim design. It also focuses and concentrates on the combination of form and function.

In the exterior design, what is developed are the proportions, shapes, and surfaces of the vehicle. It is done by a series of digital or manual drawings. The details of the drawings are executed and developed. Digital models are developed along with the drawings. The data of these models are used to create a full sized mock-up of the final design.  Clay model is designed in computer program then “carved” using the machine and large amount of clay.

Designing the interior part is done with emphasis on giving passengers comfort in riding. The design involves the proportions, shape, placement, and surfaces for the instrument panel, seats, door trim panels, headliner, pillar trims, and so on.

When it comes to the color and trim design, the designers are researching for development of all interior and exterior colors and materials used on a car. The important factors for the designs are the paints, plastics, fabric designs, leather, grains, carpet, headliner, wood trim, and others.

Great Everyday Tools for Graphic Designers

by James Desjarlais

Graphic designers are some of the most creative people in the Web Development industry. They are the ones who take an idea and bring it to life with their creative abilities. If you are such a person and wish to have all the tools needed to be successful, then this article is for you.

An important part of being successful is having all the right tools. Tools make your job easier and maximize your productivity.

As a freelancer, there are some tools which I think a graphic designer cannot live without.

Design Software

You may already use it but Adobe has built some of the best software available to graphic designers with Adobe Photoshop, Illustrator and Fireworks. This is an important tool which you can’t do without. Consider buying the Adobe Creative Suite package for $2500. This will offer you ALL the tools you need for your graphic design career.

Email

Gmail is a great tool but I highly recommend using Microsoft Outlook. It makes sending and receiving emails much easier and faster and I will help you stay in contact with clients that much easier. You have a contacts module which stores all your contact information and a calendar so you can stay on top of deadlines and meetings.

Telephone

Good communication is a very important part of your freelance career. You must be accessible and respond to your clients quickly and in a professional manner. One things which I do not like when dealing with people online is when they don’t provide a phont number for sales or support. I think any professional individual or business should gpost a phone number on their site where clients can reach you. Skype is a great tool. I suggest you buy a Skype phone number for people to reach you. Just having a Skype name is not professional enough in my opinion. I personally use MagicJack and love it. It costs me $40 per year and I can make calls anywhere in the USA or Canada for free! It plugs directly into my USB port on my computer and then I just plug a regular old phone into it. You also have the choice of having a phone number located in major cities in North America.

Accounting

Now some people might groan with this one. Yes I know accounting is boring, and it is. But you need to create invoices and keep track of your revenues. I highly recommend QuickBooks. I use it for all my accounting and invoice generation. Another really cool service I just happened to stumble upon is ShoeBoxed.com. You can have all your electronic receipts and invoices directed to your ShoeBoxed.com account to be stored and totaled up for you. The system scans your emails or PDF’s which you can forward to your personal ShoeBoxed.com email. This is very useful for keeping track of all your electronic receipts.

HTML Markup Coder

In order to turn your beautiful designs to life you need a professional coder. They will manually convert your graphic designs to W3C valid HTML/XHTML & CSS markup. Basically turn your design into a website. There are a lot of them out there but it’s important to choose the right one. Simply do a search for “psd to html service” in Google and you’re sure to find a couple.

All of these tools I used myself on a daily basis and highly recommend.

Method Bureau is Closed

After 8 great years of creative partnership, Chad and Kurt are applying their creative talents in different endeavors. They can still be reached and are actively producing awesome work.

How to Keep Up with Graphic Design Trends

by Elisha-Rio Apilado

The world of graphic design is constantly on the move. It’s always changing. As technology evolves, so does software and tools. Consequently this affects the visual appearances of graphic design artworks.

Social events also have an impact on the arts. One look at an art history book and you can see how different art is now compared to the paints and canvases of long ago?

Why would you need to keep up with graphic design trends? It’s simple enough — so you don’t fall behind!

You never know what your future clients may want or what your company will be designing unless you keep your eyes and ears open for the latest news. It allows you to experiment with other graphic design treatments outside your typical routine. Try to keep one step ahead and be ready for whatever new movements in the industry. Having this knowledge will keep you in the loop, sharpen your skills and guide you to evolve into an extraordinary designer.

Here are some things to add to your longtime graphic design to-do list. (Remember, times are changing, so these aren’t just things you can cross off and be done with. Every so often, revisit them.)

Keep on Learning with Continuing Education

As a graphic artist, learning doesn’t stop once you get your diploma. Search for continuing education classes at local community colleges that offer courses in graphic design. It doesn’t matter how long you have been in the industry, there’s always a chance you can learn something new.

There are even colleges that offer workshops and seminars that demonstrate software. Art museums also have plenty exhibitions throughout the year. Sometimes graphic design organizations such as the American Institute of Graphic Designers (AIGA) offer conferences full of lectures from professional graphic designers. Get involved in these design associates if you haven’t yet! They’ve got many perks and you’ll meet other graphic designers ranging from all different ages.

Get Out of Your Comfortable Box

Whether you’re working as a freelancer or even just a design student/employee, artists tend to stay in their comfort zone and continue to do what they know best. Stop! Introduce yourself to new surroundings and other graphic artists. Working on similar projects will lessen your chance of knowing what is new in the larger design world. It’s really simple. Just connect with other artists and talk! You can get a fresh perspective and get to know how other artists deals with design problems. Doing this keeps you open-minded and able to experiment.

Subscribe to Design Magazines and Catalogs

Yes, this may be expensive to do, but don’t let it stop you! Head over to the local bookstore and read up on the latest issue of Print magazine or maybe Communication Arts magazine. These publishing are full of the latest nationwide (Sometimes even worldwide!) design trends Haven’t you ever wondered what graphic design looks in another country — say Japan? Catalogs can help you keep track of the software trends in the art world such as Adobe Creative Suites and Wacom tablets.

Stay on Top of the Media Circulating Around You Every Single Day

There’s so much media out there, whether it be in the form of print, film, music, the internet and it can contain the hottest trends in the arts. Online social networks, especially YouTube, can house great content for trends (for example: kinectic typography videos). And of course the internet has plenty of content from articles to graphic design websites. Some designers also have their own blogs and post work they’ve done or works they’ve seen. Everybody who contributes to the internet’s large collection of artwork can always be a potential collaborator. The film and music industry has plenty of art that you may have overlooked such as CD cover art or movie posters. Study the different art treatments on movie posters now compared to those back in the 1960s. You’ll definitely see a different art movement in each.

Discuss in Discussion Forums

Now you can discuss with other artists from your very own home. Art discussion forums can let you do exactly that, DISCUSS. You can get a glimpse of what artists think of a particular ad campaign or art exhibition. You can even get feedback from others on your own portfolio. You never know what new information you can get from other people. They may just know the hottest up and coming graphic design trend! Chat with other art professionals in the ArtBistro forums!

Graphic Design Literature

There are a plethora of graphic design books at bookstores and libraries. Take advantage of it and make read these prints. You can find resource after resource and so much information in these publishings. Now, they may not be as current as the articles in magazines published monthly, but they do still contain valuable information. Once again, you can see the history of art evolving in these books. Revisiting a graphic design trend from before may have the potential of becoming a renewed graphic design trend!

Remember, much of today’s trends are a glimpse into the graphic design movements of the past. Remember, there’s a constant parallel between the past, present and future. Keeping up with the current design trends as well as having a good knowledge of the past will make you a better design in the long-run.

You can gain so much inspiration if you stop and reflect what you’ve encountered in your work. So stay active, keep your eyes peeled and ears unplugged. The graphic arts is ever-changing and it’s solely up to you to catch up to it. Always remember the basics of graphic design, but welcome the newest trends with an open mind. It will be beneficial in your journey to become a well-rounded artist.

Designing Graphic Design History

Graphic design history has only recently begun to be recognized as a field of study in its own right. The vast increase in mainstream publications and academic texts has been the proof. Nonetheless, as we reflect on where graphic design history currently stands, is there an alternative and equally valid history to be discerned through designed graphic artefacts? By looking at a unique body of small press and self-published magazines and pamphlets written and designed by typographers, graphic designers and, in some cases, design students, we might suggest how these publications represent a visual and text-based alternative history that has evolved outside traditional academic and historiographic practices.

Indeed, a number of these self-published works have provided some of the most interesting criticism, plus new ways of conceiving of the visual and written documentation of graphic design. While reference will be made to examples, including work produced in the 1980s/1990s such as Octavo (UK), Emigre (USA), ZED (USA) and Dot Dot Dot (the Netherlands), this article will focus primarily on The National Grid. Founded in 2006 in New Zealand, this ‘peripheral publication for graphic design’, now publishing its fifth issue (2009), is challenging perceived notions of what graphic design history should be. It is at once local and international, taking as its cue the perspectives of a new wave of young designers steeped in the culture of music, fanzines and the design of the everyday.

Difference between Web Design and Graphic Design

Designing for web and print are two different experiences. Just because a designer is good at one doesn’t mean they’ll be good at the other. It’s necessary to understand that web and print share many similarities, but they also have many differences.

Below is a list of things to consider when going from print design to web design:

Resolution

Resolution is the quality of an image. It’s measured in terms of pixels. If you see an image listed as "72 ppi", that means the image has 72 pixels per inch (ppi). Because web graphics are viewed on screen, they should be no larger than 72 ppi. A large ppi image will load slower, and won’t necessarily look any better.

Image Files – Gifs and Jpegs

JPEG stands for Joint Photographers Experts Group. It’s a great format that retains color and detail found in photographs and graphics with lots of color blends. JPEGs can display millions of colors so it’s ideal for print work.

GIF stands for Graphics Interchange Format. Most web pages use this format because it’s supported by all web browsers, can display up to 256 colors, and can include transparent backgrounds. GIFS are appropriate for image files with little color variation, and for images that will only be viewed on screen.

Photographs saved as GIFs may appear grainy. Single color images saved as JPEGs may appear fuzzy. When you save a graphic image, consider what type of file it is. Remember, GIFs work best with images having few colors or color variations. JPEGs work best with photographs or images to be printed.

Fonts

There is a major difference between choosing fonts for web as opposed to print. With print design, your completed piece will display the font specified during the design process. You don’t have to worry that a reader will open your brochure and not have the proper fonts displayed. However, web designers never know for sure if their fonts will display properly.

Unlike with print, web fonts differ based on the web browser being used. Your audience can only view the same font you’re viewing if it’s installed on their computer. If you design a beautiful website using Chaucer Bold, and none of your viewers have that font, their browsers will have to find a substitute.

This is why it’s good to be conservative when it comes to web fonts. Your beautifully designed page can look horrible when displayed on someone else’s browser. Don’t let your hard work go to waste. Stick to fonts such as Helvetica, Arial, Times New Roman, or Verdana. All web browsers are capable of displaying these fonts. However, if you do want to use a creative font, you can include it in a graphic file. But this will cause your page to load slower.

If you’re a print designer faced with designing a web page, take time to study the subject. You will be able to create a pleasing and effective site if you recognize the differences between print and web design.

13 Tips for Finding a Graphic Designer

Are you ready to hire someone to design your logo, collaterals, or artwork for your website? Well, here’s just the information you need to get the best results from hiring your first (or your first successful) graphic designer.

To assure that we begin on the same page, a graphic designer designs your marketing materials — the print- and web-ready art which are then turned over to a printer or coded for the web for the final outcome. Some of their vocabulary can be foreign to you, and their processes may not be familiar either. We’ll address that and more with these tactics.

This advice gives you the essentials for hiring the right person for this critical project. The more qualified the designer, and the better the match between you and your designer will lead to more appealing final designs. the more professional you and your business will look.

1. Look at their work samples.

Many designers offer a portfolio of samples either on their website, by email as a PDF, or in a hard-copy format. When you review these, look for a general design style that you like, not necessarily whether they have lots of experience within your particular industry. In fact, deep experience within an industry isn’t necessarily the best thing when you want a designer to put a fresh visual spin on your business and your issues.

2. Make sure they’ve actually done the work in their portfolio.

This is especially true if you’re reviewing design companies or firms. Make sure that the designers who are still on staff created the work that you really admire.

Where this can come into play with solo designers is if the portfolio isn’t clear about their involvement in the development of all the design elements. For example, if they’re showing a brochure design or a website in their portfolio, but you love the logo; make sure that they created the logo before hiring them.

And, ask what the client’s involvement in the design of that logo is—if the client came to the designer with a sketch of the logo already created, then the logo may not be reproducible by the designer or firm alone.

3. Talk to the designer.

Having an actual conversation with them can really help for two reasons:

To make sure you can communicate well with each other. If you each have very similar styles of communication, levels of energy, or enthusiasm about the project, then the project will most likely run very smoothly (or has a great potential for success). Also, make sure that you each understand what the other is saying—having similar definitions for concepts is amazingly helpful. When you don’t understand something, ask questions!

To see if the two of you "gel" together. You’ll be working closely, so make sure that you get along! If you don’t like their personalities or vice-versa, then the relationship will most likely become strained and difficult.

4. Review their skills.

This becomes especially important if you’re hiring a web designer—make sure the designer is qualified to provide you with all the technical components you’ll need. For example, web coding, forms coding, HTML newsletter integration and Search Engine Optimization are all somewhat technical fields that not all designers can deliver. Make sure you’ll be able to get what you need.

5. Check their references.

If you really like a particular project in their portfolio, see if you can get that client’s contact information. But, if the designer can’t release it, that’s not necessarily the worst sign—maybe the client prefers that their contact information be kept private. Or they’ve moved, and haven’t told the designer how to get in touch with them. Be open to reasons why they may not be able to furnish a particular reference.

6. Learn about their processes.

Find out how they plan to execute on the work that you’d like to have done. Ask what the designer needs you to do, what you’ll be asked to review and approve, how decisions are made, and how they’re made final. Make sure your designer is able to guide you through the design process, providing all the information you’ll need along the way.

7. Check their turn-around time for replying to emails, sending quotes, and returning calls.

Make sure that it’s in line with the turn-around time that you expect throughout the project. Turn-around time here can also indicate the designer’s level of excitement about your project. However, if it’s a bit slow, make sure they weren’t just out of their office at meetings for the day, or tied up in another deadline—understand that they’re a small business as well, and the fact that they’re busy is probably a sign of how effective they are for their clients!

8. Review the rights that they’re selling to you.

Make sure that you have the copyright and reproduction rights that you want. Think as far into the future as possible—you want to make sure that you’ll have what you need as your business grows. You don’t want to have to come back to your designer and re-negotiate your rights in a few years!

9. You may be tempted to ask for some sample designs for your specific project.

This is known as work on "spec" (speculation) —having a designer do work without a guarantee of getting the project. While designers can understand your fears—what if you don’t like the logo we develop, what if we don’t "get" what you want, what if…

Asking a designer to work on spec isn’t very fair. The first round of designs on any project is the most time-consuming to create—it often consists of researching your company and your competitors, brainstorming on the creative side, and generating first ideas. You wouldn’t ask a doctor to diagnose you before paying for his time, and then offer to pay him if you like the diagnosis—it’s no more fair to do so with a designer.

10. Make sure that you’ll get the deliverables you expect.

Some designers don’t plan to include final files in their deliverables to you—if you want to have the original files delivered to you along with printed collateral or the final files uploaded to your web server, make sure the designer knows that up-front. It may change the pricing.

If you want to be able to edit the final files, make sure that the designer can deliver the files to you in a way that you can edit them. Realize that, depending on the software that you have, this may either limit the design or be impossible, but you probably won’t get the files in the specific format you want unless you ask!

And, if you envision having your final files in a particular format—such as having your letterhead in Microsoft Word—be sure to ask for that. Many designers don’t consider Word files to be part of a standard set of deliverables.

11. Have a realistic schedule and check the designer’s turnaround time.

Allocate enough time for your project to be completed—rush jobs never turn out to be as good as they could be if enough time were allotted. An average logo project takes weeks, not days!

Also, be sure that they have time available in their schedule to complete your project on your timeline. Check for upcoming vacations, and whether they work evenings and weekends if your timeline calls for that.

12. Make sure that you’re both clear about revisions.

Many designers include a set number of revisions in their project packages. Make sure that you understand what constitutes a revision, how many you’ll get and what happens once they’re all used up.

13. Get it in writing.

A contract can help to lay out expectations for the project on both your end and the designer’s. Once you have a contract from your designer, make sure to read it carefully—it will often state exactly what you’re going to get out of the project, how you’re expected to pay for designs, what you’re paying for, and how to get out of the contract (in case you have to cancel the project for any reason). And, if it doesn’t make things clear, ask the designer to elaborate for you.

Following these steps gives you all of the background information you need for optimum results when hiring a designer. Use them as a reference when you review designer’s websites, meet with, or interview your potential designer. Understanding the process and expected outcome does wonders for a smooth transition from ideas to reality.

What Is Graphic Design?

Good design makes a difference in our world. Whether it’s communicating a social ideal, helping a business attract clients, motivating people to join an organization, enabling citizens to vote for the candidate of their choice, or simply helping travelers find their way through a busy airport, good design means connection.

Graphic design combines the creativity and formal characteristics of fine art with the audience-centered approach of marketing to create effective visual communication. Unlike fine art, it is always in the service of the client’s needs.

Much more than simply “making things look pretty,” graphic design uses color, type, and composition to communicate with the chosen audience.

To do this, designers analyze data about the intended audience, such as the audience’s class, gender, education, buying habits, personality traits, favorite magazines and television shows, and so on.

Designers take that demographic and psychographic information and look at what that audience sees. For instance, if the intended audience loves Martha Stewart, designers look at Martha Stewart magazines, ads, and products to analyze their visual vocabulary (color, theme, shape, typeface, composition). Using those fundamental elements, designers create new pieces which connect and communicate with the intended audience.

Design based in this understanding of the intended audience is highly successful. Trying to design without it is like trying to communicate without knowing the language of the listener.

In addition to a broad grounding in fine art, marketing, and creativity, graphic designers also build an extensive body of technical knowledge regarding paper stocks, printing inks, special processes such as foil-stamping or embossing, printing processes and limitations, digital file preparation, quality control, and troubleshooting. Graphic design encompasses any product that’s “ink-on-paper” (brochures, logos, book jackets, billboards, packaging, etc). Each medium has its own technical considerations that designers must master in order to achieve their intended effect.

Design combines all these creative, technical, and research skills. When you hire a designer, you hire a professional with sophisticated skills for enhancing your ability to connect with your audience and reach your business goals.

Great graphic design makes a difference

It’s the difference between a brand getting noticed – or getting lost in the shuffle. It can make or break the success of an otherwise outstanding product or idea. At Method Bureau, great design is what we’re all about. Whether it’s creating a new logo, a more engaging website or a whole new brand from scratch, Method Bureau understands the difference great design will make for our clients.

Eleven Common Web Page Design Frustrations

And How To Cure Them

Information is the ultimate reason for your web site’s existence. Your Web site should transparently communicate its content. Anything that interferes with the immediate and intuitive transfer of information between you and your web site visitor undermines your web site’s success.

All too often, however, design interferes with communication. The following are my Top Eleven Web site design frustrations along with suggestions showing how you can cure them. Use these as a guide to improving your Web site.

1. Long lines of text

Long lines of text create boring, hard to read Web sites. Visual boredom results when type extends in an unbroken line from the left to the right margin of the screen. Long lines are tiring because your Web site reader’s eyes have to make numerous left-to-right shifts. It’s also easy to get lost making the transition from the last word of one line to the first word of the next.

Short liner lines of type, like used in this web site, also creates white space to the left and right of each paragraph. This white spaces frames your message and also provides space to place secondary text or visual information (like my book covers, for example!)

If you are using Microsoft Publisher™ 2000, you can use columns to control the placement of text. With programs, like Microsoft® FrontPage™ 97 you can use tables to reduce line length and build visual contrast into every page. With Net Objects Fusions, you can create guides to control text placement.

If you are creating your Web site using HTML, use the Block Quote tag to indent text from the left and right edges of the screen.

2. Large, meaningless graphics

Large graphics take longer to download than small graphics. Long downloading times are justified if the result is meaningful information. All too often, however, your reward for waiting for a graphic to download is only a large logo or an overly-complicated image map.

Respect your Web site visitor’s time! Restrict large graphics to occasions where they communicate valuable information.

Equally important, when including photographs, use thumbnails—or reduced sized images—which visitors can click on to load larger versions.

3. Lack of contrast

Foreground/background contrast is necessary for your visitors to easily read your message. To succeed, words have to be clearly separated from the background.

To ensure maximum legibility, avoid text on top of gray or screened backgrounds, i.e. blue text on a light blue backgrounds. Avoid placing text over patterned backgrounds.

If you want to add color, or visual interest, to your page, place the backgrounds to the left or right of the text, rather than behind the text.

4. Bright backgrounds

Bright colors have their place on the Web, but usually not as background colors. Large amounts of bright reds, oranges, yellows or lime green backgrounds are visually tiring and certain to reduce the time visitors spend at your site.

Instead, choose subdued background colors. Restrict bright colors to a few high-impact words, illustrations or graphic accents.

5. Dead ends and broken promises

Strive for consistency. Anything that looks different is likely to be interpreted as a link. Many Web sites, for example, use subheads set in a different color than the text they introduce. These can be easily confused with links.

Always check, and double-check, links to make sure they lead to the information they promise. Avoid links to pages that do not contain the promised information. Avoid links to "work in progress" locations.

6. Lack of consistency

Consistent colors, layouts and type enhance your firm’s image and project credibility and professionalism. Your firm’s image is undermined, however, when different colors and layouts are used on different pages of your site.

You’ll frequently encounter well-designed Home Pages where the text is neatly indented from the edges of the screen, but when you get deeper into the site, you encounter different background colors and long lines of text. Change undermines credibility and, at worse, can cause visitors to wonder if they’ve visiting a different site.

Take advantage of your software program’s text styles feature to maintain consistency. Styles also make it easy to redesign your site with minimum effort.

7. Pages that cannot be printed

Whenever I encounter a Web page I might want to refer back to later, I print it out using my color printer. This works well, unless the text was set in a light color-like white or yellow against a black or blue background. When your print from your browser, the Web page’s background color is not printed. This means you print white or yellow ink on white paper. . . hardly readable!

Avoid light text colors if there is any chance at all your Web site visitors may want to print your pages.

8. Centered text

Centered text appears everywhere on the Web, in headlines, titles, even extended text passages. It is is harder to read than text set flush-left/ragged-right. Centered text forces readers to search for the beginning of each line.

Centered text also doesn’t look as good as flush-left text because the space surrounding the text is divided between the left and right sides of each line, instead of being concentrated to the right of the text.

9.  Unnecessary graphic accents

Graphic accents, like horizontal rules dividing topics, can easily clutter-up a page and project an amateurish "My First Web Site!" image. Instead of using horizontal rules to break-up a long articles, insert subheads which preview the text that follows.

To reinforce the impact of the subheads, set them bold and surround them with white space above and below them.

10. Oversize pages

Many Web sites force visitors to scroll sideways, in order to see the endings of words along the right-hand margin. This is unsightly and frustrating. It is often caused by long words placed in table columns too narrow to accommodate them. It can also occur when you create your Web site on a computer with a monitor set at a higher resolution than your typical Web site visitor’s.

When using tables to organize text placement, check every page of your Web site before posting it. Build in a margin for error by searching for short words to replace long words. Most important, design for the lowest common denominator monitor setting, typically a 640 by 480.

11. Accidental spacing

The appearance of many Web pages is undermined by unnecessary spaces between words or extremely short lines. This are usually caused by the Web site creator inserting Paragraph Break commands that looked good on their particular browser and screen resolution, using their Web site browser’s typeface and type size. But, viewed using a different screen resolution or typeface, these Paragraphs breaks often appear in the middle of a line.

Instead of using HTML Paragraph Break tag to break lines, use tables or columns. Column widths will remain the same, regardless of the default typeface or type size used in your Web site visitor’s browser.

Quick Color Correction

by Kris Jonson

Here is a 2 minute color correction technique I picked up from one of Scott Kelby’s books. Its fairly simple, and it ranks as beginner-advanced.

Here is the basic image before color correction. You can save this image and follow along if you want.

STEP ONE

In your layer palette, click the adjustment layer icon, and choose threshold. This will put a threshold layer above your glass layer, this is how you will choose the darkest and lightest parts of the image for color correcting using curves.

STEP TWO

This is the threshold adjustment tool. You want to move the slider all the way to the left, then little by little move it right until you see it start to pick up a pixel or two. The little black bar, is the darkest part of the photo.

STEP THREE

Zoom way into your pixel that is black, and choose your color sample tool. Make sure it is set to "point sample" and click once on the black pixel. It will put a marker with a number 1 on it. You have now marked your darkest part in your image.

STEP FOUR

Okay, time for the white point. Double click the threshold layer to bring the threshold dialogue box back up. Now slide it all the way to the right, with this particular image, it has been "blown out" so to speak, so there are lots of white pixels to choose from, normally you would creep it back in to the left until the white pixels showed up. Do the same thing we did with the black pixels. Choose your color sample eyedrop tool and click a marker on one of the white pixels. This should be marker number 2 now, your brightest pixel.

STEP FIVE

Now that we have our markers selected, lets delete the threshold layer by throwing it in the trash can in the layers palette. Zoom way in to your marker one. Go to image>adjustments>curves. Click on the black eyedropper in the curves dialogue box, and click it right on top of marker number 1. You will see that your image just changed to a darker hue. Close the curves dialogue box.

STEP SIX

Now zoom out until you can see your marker number 2, zoom all the way into that, and bring your curves dialogue box back up. Image>adjustments>curves. Now select the white eyedropper tool, and click directly on your marker number 2. This will set the white point in your image. Close the curves dialogue box.

STEP SEVEN

So now you have your image somewhat there, but there is another step. Since most digital cameras tend to put in either magenta or cyan hues into every photograph, you are going to want to set a midtone curve adjustment. This is the toughest part about color correcting, and will take some learning with every image, but it basically goes like this. You want to find a gray pixel somewhere in your image. Luckily on this image in particular, the background is a nice gray tone so we will use that. Zoom all the way in to the background, I used the background of the glass piece on the left. Now bring your curves dialogue box back up, and click on the middle eyedropper tool, which is your midtone selection tool. Click on any gray pixel. This basically just took out magenta and added some more cyan into the image to really bring the glass out.

STEP EIGHT

The image is still kinda washed out, so go to image>adjustments>levels. Now move your left slider in to the right until it hits the base of the lines. And repeat this step for the sliders on the right, moving them into the left until they hit the lines. Also, adjust your middle slider to somewhere in between until it looks right.

FINAL IMAGE:

This is basically the final result, you can now choose your eyedropper select tool, and at the top hit the "clear" button, this will remove your markers and you are set to go. It takes some getting used to, but this is by far the best way to color correct any image. This is really how the "pro’s" do it. I hope you enjoy!

If you liked this tutorial, please drop me a note and let me know.

How to Choose a Graphic Design Firm

by Derald Schultz

Selecting a graphic design firm can be a difficult process at best. Initially, size and cost may be your top criteria, and they certainly do factor in to some degree, but several other aspects are just as important and worth noting. Understanding exactly who and how design services are offered will help you in making the selection process easier.

First and foremost, I am a one-person design firm. Admittedly, I’m interested in gaining your business. That being said, I believe I can still be objective in shedding some light on the process of choosing design services. This article is based on my years of observation and experience in the design profession.

The Graphic Designer

The core of any creative work is the designer. Each one comes with a varying degree of talent and experience, whether they’re independent or part of a firm. Many independents or “freelancers”, as some call them, have years of experience with established firms. Personally, I don’t like the term freelancer, because it carries the stigma of a lack of talent, experience, and professionalism. It also leaves the impression that they cannot find gainful employment.

Freelance Design

Designers aren’t certified or licensed (I think we should be), so anyone can call themselves a graphic designer. Unfortunately, there are some who have the above traits, and they are cheaper to use in the short-term. The long-term downside is that your project may be beyond the scope of their abilities. In addition, they may not have a good understanding of the creative process, fail to anticipate technical issues and normal expenses, and use unlicensed materials to cut costs. All of this can translate into a disappointing solution, and possibly legal issues in the future. When it comes to something as valuable as the perception of your company and future sales of your product or service, “cheap” should never be the focus.

Professional Design

Professional designers can be with a firm or independent. They typically have formal training in design or visual communications, and may have additional experience in related fields such as advertising or marketing. They follow the customs and procedures of the design industry, use specific contracts, and devote the needed time to the creative process. A professional will be more expensive, but cost shouldn’t be a top consideration in hiring design services. Good design doesn’t cost money…it makes money…far more than the initial design investment, through increased revenue and exposure to potential customers.

Large Firms (Size Matters … Sometimes)

A large design firm will give you a sense of stability just by the sheer size of their portfolio, number of staff, and resources available. They offer a wide variety of services across several media such as radio, TV, print, etc.. If that’s your situation a large firm should be your focus. On the other hand, if your project is within a specific area or two such as web, print, or multimedia, a small firm or independent designer may be an excellent choice.

Another consideration is teamwork. As the saying goes, “two heads are better than one.” Depending on the scope of the project different perspectives during the concept phase can be a distinct advantage. While multi-person firms assign a design team, many independent designers overcome this by having their work critiqued by fellow designers or submitting their work to online design forums for review.

Small Firms and Independents

Small credit repair companies and independents may not have a sample of your specific need, so it’s important to look at the solutions they’ve provided other clients. They tend to be more motivated in getting your business, so you’ll often get a more personal level of service, and work directly with the person responsible for your project. Furthermore, you’ll generally pay less due to reduced overhead costs. In many cases independent designers will have more design experience than the combined years of a design team at an agency. Many talented designers tend to either move up the ladder or start their own firm due to pay ceilings at a firm.

Variety of talent is another consideration. Large firms may have one or two copywriters or illustrators on staff to choose from. Small firms and independents have the flexibility of offering several established outside vendors to specifically fit your individual tastes, style and preferences.

Also, consider that the designer or designers working at a large firm may not be particularly interested or excited about your project, or even proficient in that area of design; they don’t have control of what’s assigned to them. While this may or may not be the case at a small firm, an independent designer will typically have a high level of interest and motivation, because they want to expand their portfolio and client list…especially if your project type or industry is new to them. If they contacted you it’s likely they’ve already done some background research on your company.

Finally, with advances in computer technology and declining prices, independents and small firms use the same or higher levels of hardware and software as large firms. They also don’t have to go through the approval process and internal IT departments, so their upgrades happen in days rather than months.

Conclusion

When you are looking for design services remember that you don’t have to know exactly what you need; that’s what a design professional is for. They will offer specific solutions according to your needs. If price is a concern, be upfront about it and ask for a range of two or three estimates. Be aware that the lower figures mean that less time will be devoted to research and concept development; it doesn’t mean that the designer is reducing their hourly rate. Less time translates into a less creative and unique piece.

Start by interviewing several designers and design firms before making a decision. Ask them what their hourly rate for creative work is, and view their portfolios. If you’re happy with the solutions they’ve provided other clients, comfortable with the way they present themselves, and think you’d enjoy working with them…hire them. Clients who understand the value of good design realize that a talented designer has the ability to influence their existing and potential market; create a positive perception of their business, and ultimately increase their revenue.